In this year’s summer show at London’s Royal Academy of Arts, "Exhibit 1201" is a large rectangular tablet of slate with a tiny barbell-shaped bit of boxwood on top. Its creator, David Hensel, must be pleased to have been selected from among some 9,000 applicants for the world’s largest open-submission exhibit of contemporary art.
Nevertheless, he was bemused to discover that in transit his sculpture had gotten separated from its base. Judging the two components as different submissions, the Royal Academy had rejected his artwork proper–a finely wrought laughing head in jesmonite–and selected the plinth.
The Royal Academy claims the selection was not an error, because the pedestal (but not the actual sculpture) was "thought to have merit." Click the link to see the accepted work.
h/t DarwinCatholic.
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